Download Ebook Starfish (Rifters Trilogy), by Peter Watts
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Starfish (Rifters Trilogy), by Peter Watts
Download Ebook Starfish (Rifters Trilogy), by Peter Watts
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Review
“No one has taken this premise to such pitiless lengths--and depths as Watts. . . . In a claustrophobic setting enlivened by periodic flashes of beauty and terror, the crew of Beebe Station come across as not only believable but likeable as they fight for equilibrium against their own demons, one another, their superiors and their remorselessly hostile surroundings.†―The New York Times“Fizzing with ideas, and glued together with dark psychological tension: an exciting debut.†―Kirkus Reviews“A powerful first novel. . . . A savage, bitter, and often blackly comic vision of the near future . . . Watts has rendered a character whose emotional complexity demands our respect. . . . [The ending] is both startling and oddly satisfying in its earned nihilism. A terrific debut from an author we will be seeing again.†―Edmonton Journal“Watts' true enemy is human stupidity, the sort of thing that turns children into walking disaster zones, treats adults as interchangeable things, insists that unchecked fertility is a Good Thing, and blindly trusts that our artificially intelligent creations must share our priorities. As Watts develops that point, he tells an absorbing tale set in a bizarre world and hinging upon intriguing technology. He's done his homework well, and it shows.†―Analog
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About the Author
Peter Watts lives in Toronto, Ontario.
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Product details
Series: Rifters Trilogy (Book 1)
Paperback: 317 pages
Publisher: Tor Books; First edition (April 29, 2008)
Language: English
ISBN-10: 0765315963
ISBN-13: 978-0765315960
Product Dimensions:
5.6 x 0.9 x 8.2 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
92 customer reviews
Amazon Best Sellers Rank:
#273,218 in Books (See Top 100 in Books)
Most sci-fi looks at how humans rearrange the environment, often from the standpoint of the damage done. This book flips the premise to humans changing in response to the environment. The transmogrified rifters have had surgical modifications to adapt to working on the ocean floor. As the book progresses the group of misfits undergo surreal acclimatization, they spend more and more time in the water, they can hear each other think, they prefer darkness and bioluminescence to light. As they morph away from human, the author weaves aquatic science and creative fantasy into a haunting tale. The dystopia is relieved by empathy and imagery that tugs at the heart and mind. Unfortunately, life under the sea is only 1/2 the story. The plot explodes on land with a greedy corporation, a power hungry villain and a mealy mouth manager who basically manage to destroy the world (as well as the novel). Along with top heavy tropes that contort the story from above, there are unexplained twists like ancient DNA and some malevolent AI running computers. Easy to see how it would take a trilogy to tie up all the loose ends but the needless complexity also makes it easy to put down. The rifters is a small part of the story but it has the biggest punch. Their struggle is more immediate and the lesson more captivating proving that no matter where explorations lead, (from outer space to the ocean floor), the most challenging frontiers come from within. I might not finish this series but I would certainly read more by this author.
Peter Watts is, if anything, consistent.. The same future dystopia reigns in every novel from the first Rifter Trilogy to Blind Sight / Echopraxia. It is a dismal, soulless mess of biological and technological dreams / nightmares with characters that can only be described as depressingly complex. The same themes appear over and over - intelligence, free will, consciousness, boundaries, purpose and reason.Unlike many authors, Watts eschews lofty power talk from the likes of the Kremlin, UN or White House. His focus is on the middleman - those who are controlled and control others, who both take and give orders. This is a difficult perch due the inherent nuances of such a position and yet this is what he does best. In a world starved for more and more energy, the deep rifts in the oceans are now being exploited. But the cost in human sacrifice is great.STARFISH is the story of one group of workers at the Beebe energy plant. First novels are almost always autobiographical which is the case with this novel. The author worked in the oceans protecting marine life and thus has inside knowledge of the last unexplored place on Earth. The description of the underworld is fascinating but it is the workers that grab our attention. These are greatly modified humans that can withstand the tremendous pressure of the deep and who can remain in the waters for long periods of time due to their internal machinery that allows respiration. The catch is that these individuals must fit a certain psychological baseline and that include sociopaths, pedophiles and abuse victims.But something lurks among the insane crew, an ancient form of life (pre DNA) that threatens the world. . And once its meme enters the Maelstrom (future internet) intelligent monitoring organisms set up to prohibit viruses and malware are drawn to its very simplicity. The reader is in for a bumpy, ride to the future with word twists, technical verbal fireworks, phrases as sentences, competing thoughts and a swirl of condensed, punk writing. My Grade - A1
I wasn't sure what this novel wanted to be. It starts out with a character study of our protagonist, Lenie Clarke, as she adjusts to her surgically altered body and living on the ocean floor near a hydrothermal vent. Then it starts to turn into a bit of a soap opera as other damaged individuals are sent down to Beebe Station to work alongside her. Their personalities clash, people pair up, they argue over their treatment by "drybacks" with their jobs playing a background role. Finally, about 70% of the way through, the plot (the "worldwide disaster" referred to in the blurb) takes shape from a collection of scientific reports covering synthetic minds and ancient life.Watts throws different POVs at us throughout the novel to advance the story. Unlike Clarke, who's there from beginning to end, these other characters come and go. I was surprised at first when the next character POV was introduced one-sixth of the way into the book. Thinking that he was going to be the counterpoint or pivotal in his relationship to Clarke, I was equally surprised when he was shuffled into the background at the one-third point. At first, I wondered what the point was in even having him in the first place, but reasons later revealed themselves in the story. And some of these other characters revealed elements of the overall story that Clarke wasn't privy to.Can't say that I liked the post-climax ending. While I knew when I started this book that there were other books in the series, there was just a bit too much that was left unresolved. Viewed as a standalone, I don't believe it works. If Starfish is intended to be about Clarke's personal growth as she comes to work through the issues of her past (she's an abuse survivor), then I suppose that the worldwide disaster could be considered secondary. But her recovery is put on the backburner for the last third of the book while the plot is developed. Her dynamic change near the end is just too sudden. It almost seems like an afterthought. "Hmmm, gonna need more books to get the plot resolved. Better give Clarke an epiphany so I can end this phase of her story."Still, I liked that Watts tackled several subjects and roped them together. Despite being twenty years old, the ideas presented here are still fresh. The real world internet could still wind up like the one postulated here. His radical approach to AI is untested and plausible. And given his background in biology, much of that aspect of the book is quite believable. The world-building is great. The descriptions of living at the bottom of the ocean splendid. Yes, it's a bleak story with little offered in the way of hope. Maybe that works for you; maybe it doesn't. If anything, it does a good job humanizing those whom society deems incorrigible or expendable.3.5 stars rounded up to 4 because I liked it more than my review suggests.
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