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Product details
File Size: 18247 KB
Print Length: 432 pages
Publisher: Oxford University Press; 1 edition (February 17, 2015)
Publication Date: February 17, 2015
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00RMPEMQ4
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Amazon Best Sellers Rank:
#733,729 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Grace Hartigan was never one of my preferred painters, Abstract Expressionist or otherwise. So I am probably disinclined to be excited by a book about her. But I did read it and it both lowered and increased my opinion of her. She was off-putting and rather mean. She made the most of her ability when she was young and painted some very lovely abstract paintings. Her later figurative paintings are of slight interest (to me and to art history.) She was a far better painter when she was young. Given what Curtis had to work with, she did a good job of illuminating Hartigan's work and social environment. One thing was quite odd though-Hartigan, in the most interesting phase of her life, was very close to the poet Frank O'Hara (whom she dumped for unclear reasons.) In this bio he is not referred to again-not even when he suddenly died when he was 40 in 1966. There is no mention of Hartigan's reaction to his death. This seemed odd to me. Another interesting part of her long life is her on and off friendships with the other female painters of her generation: Joan Mitchell, Lee Krasner and Helen Frankenthaler. I enjoyed learning about their long friendships with each other, both the highs and the lows.
excellent book...it captures Grace's personality, paintings. friends, thoughts ....all of it.... the profane and the transcendent.....Curtis has documented the time period as well.....I know this because I was there.... carefully researched and descriptive down to the essence of conversations..........
A fascinating, thoroughly researched and highly engaging portrait of an important artist who finally gets her due, thanks to Cathy Curtis's book. I knew little about Grace Hartigan beforehand, but the drama of her life as presented here quickly drew me in. The author strikes a rare balance between, on the one hand, empathy and understanding for her subject and, on the other hand, objective assessment of human flaws and challenges. This biography is multi-dimensional and richly rewarding for the reader.
I'm not an artist or an art history major - but I like art and I like reading bios of artists. I was really excited to see this as I have always wanted to know more about Grace Hartigan - beyond her work there were a couple of pictures of her I had seen from the 1950's - always laughing and seemingly reallly enjoying life. In some ways I wish what my fantasies were more in line with reality - but the credit here goes to Curtis who does not sugarcoat a thing ---I read one review that suggested the narrative bogged down in parts - perhaps. I too was more interested in the 1950's than her later work - but the fact is she had a long life and never quit producing - and it seems like many greats in any discipline it was her and her work that mattered to her more than others at times. I agree also with another reviewer, I hope Cathy Curtis is already at work on another book.
very informative
If i was not such a Hartigan fan, i would have put this down. Rather a snore of a read to my pov.
Grace Hartigan was a DAME. Drank, smoked, slept around, swore like a sailor. But more importantly she painted with PASSION. Coming of age alongside landmark artists like Wilhem DeKooning, Grace had a long hard slog establishing herself. Not until later in life did anything ever come easily for Grace.Very well written book, and it offers interesting insight into Hartigan's creative process. The story is quite colorful, and Grace Hartigan - although I had never heard of her - had an extremely colorful personality. Sure she could be a joy to be around, but without warning she could also cut people to shreds, including her own family.Grace lived a long and very full life, so understandably the narrative can drag a bit in spots. However, overall I enjoyed this thoroughly, and recommend this well researched biography to those interested in the seminal New York art scene of the 40s through 50s.Full Disclosure: received an Advance Review e-copy from netgalley.com
I received text-only publisher's copy which I did not expect. Very disappointed...
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